Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, three quarter view
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, top view
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, front view
Detail of Raku Form No. 4, 2026 — metallic black purple and copper raku glaze, high gloss, Liz Wycherley
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, rainbow glaze back view
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, rainbow glaze side view
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, three quarter view
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, top view
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, front view
Detail of Raku Form No. 4, 2026 — metallic black purple and copper raku glaze, high gloss, Liz Wycherley
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, rainbow glaze back view
Raku Form No. 4, 2026 — hand-carved raku ceramic sculpture by Liz Wycherley, rainbow glaze side view

Raku Form No. 4, 2026

$1,100.00
sold out

Sliced upward, torn surfaces reading like accumulated deposits. Each plane breaks away from the last.

Black and purple with copper, blue and silver, shifting to blue-green toward the upper form. High gloss throughout.

Raku fired earthenware. A highly delicate and unpredictable process. Pulled from the kiln at near a thousand degrees, each piece is plunged into combustible materials gathered from the surrounding environment, then quenched in water. The surface cannot be repeated.

An original hand-carved studio ceramic by Liz Wycherley, made in New Zealand.

A subtle tong mark on the surface is a record of the firing, not a flaw.

Material: earthenware clay, raku fired
Dimensions: H 20cm x W 12cm x D 10cm
Weight: 1.74kg

All prices are in NZD

Sliced upward, torn surfaces reading like accumulated deposits. Each plane breaks away from the last.

Black and purple with copper, blue and silver, shifting to blue-green toward the upper form. High gloss throughout.

Raku fired earthenware. A highly delicate and unpredictable process. Pulled from the kiln at near a thousand degrees, each piece is plunged into combustible materials gathered from the surrounding environment, then quenched in water. The surface cannot be repeated.

An original hand-carved studio ceramic by Liz Wycherley, made in New Zealand.

A subtle tong mark on the surface is a record of the firing, not a flaw.

Material: earthenware clay, raku fired
Dimensions: H 20cm x W 12cm x D 10cm
Weight: 1.74kg

All prices are in NZD

  • Liz Wycherley (b. 1983) is a New Zealand ceramicist based in Titirangi, Auckland. Her practice operates at the intersection of sculptural object-making and collectible design.

    Working primarily in raku-fired clay, Wycherley builds each piece through direct carving, excavating form from solid blocks of raw material without wheel or mould. The process is irreversible and unrepeatable. Every surface carries the visible record of the carving, the forming and the fire. No two pieces are identical.

    Prior to her current practice, Wycherley co-founded Post Objects in collaboration with Simon Oosterdijk. Their work has been distributed internationally through SSENSE and included collaborations with CompletedWorks.

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  • Orders are dispatched within 3 working days. You’ll receive a tracking number by email once your order is on its way.

    New Zealand
    Candles — $10 NZD
    Small ceramic works, up to 2kg (Forms 4, 5, 6) — $15 NZD
    Medium ceramic works, 2-5kg (Forms 2, 3) — $25 NZD

    Australia
    Candles — $15 AUD
    Small ceramic works, up tp 2kg (Forms 4, 5, 6) — $35 AUD
    Medium ceramic works, 2-5kg (Forms 2, 3) — $50 AUD

    Please note Raku Form No. 1 is not available for standard shipping. Contact studio@lizwycherley.com before purchasing.

    For US, UK, or international enquiries contact studio@lizwycherley.com

    International orders may be subject to import duties, taxes, or customs charges upon arrival. These charges are the responsibility of the recipient and are not included in the purchase price or shipping cost. We are unable to predict or control these charges. For further information, please contact your local customs office prior to placing your order.

    Once an order has been collected by the courier, we cannot be held responsible for delays that occur in transit.

  • All works are inspected and carefully packed before dispatch. If your order arrives damaged, photograph it within 48 hours of delivery and contact us at studio@lizwycherley.com — we will assess each case individually and find a resolution.

    All work is made by hand. Natural variation in surface, texture, and finish is part of the process, not a defect.

    We make every effort to represent the colour and tone of each work accurately in our product photography. However, colours may vary depending on your screen settings and display. If you would like additional images before purchasing, please contact us at studio@lizwycherley.com

    Change-of-mind returns are not accepted.

  • By making a purchase, you agree to the following terms of sale: (i) You acknowledge physical ownership of the artwork transfers upon sale, while all copyright and intellectual property rights remain with the artist. This means you may not reproduce, alter, publish, distribute, or create derivative works based on it without the artist’s prior written consent. (ii) You agree to exercise reasonable care in preserving and protecting the artwork's condition after the transfer of ownership. (iii) You may display the artwork in private residential or office spaces. If you wish to loan, exhibit, or otherwise display the Artwork in a public, institutional, or commercial context, the artist kindly requests prior written notification. This is intended to help preserve accurate documentation of the work and its presentation. (iv) Should you wish to sell, donate, or otherwise transfer the artwork, the artist would appreciate being informed in writing in advance, where possible. For archival purposes, the artist also welcomes any available information regarding the resale or transfer, including the identity of the new owner, although this is not a condition of sale. (v) Please notify the artist promptly in the event of any significant damage to or loss of the artwork. The artist shall not be held liable for any damage, deterioration, or loss occurring after ownership has been transferred upon sale.